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Chapter 1: Naturalism and Impressionism

1: The Generation of 1830

290.

Corner of a Painter’s Study: the Stove (Coin d’atelier: Le poële) (pp.19)

291.

Episode from the Days of July, 1830 (pp.19)

292.

Young Man with a Book (pp.19)

293.

Miss Louisa Murray (pp.19)

2: The Second Empire

294.

Pearl and the Wave (pp.59)

295.

Charles Garnier, Architect (pp.59)

296.

The Woman in the Waves (pp.59)

297.

Sunset on Lake Geneva (pp.59)

298.

The Origin of the World (pp.59)

299.

The Stone Breakers (pp.61)

300.

Funeral at Ornans (pp.61)

301.

Two Friends (pp.63)

302.

Leaving the Forest, Fontainebleau: Setting Sun Sortie de forêt, Fontainebleau: Coucher de soleil
Paintings (pp.63)

303.

Study of Sky and Trees (pp.64)

304.

Outside the Print-Seller’s Shop (pp.64)

305.

Two Actors (pp.64)

306.

Third-Class Carriage (pp.64)

307.

Madame Jacques-Louis Leblanc (Françoise Poncelle, 1788-1839) (pp.65)

308.

Cypriot Woman Smoking a Chibouk Former title: Turkish Woman Smoking. (pp.65)

309.

The End of the Game of Cards (pp.65)

310.

Countess Alexander Nikolaevitch Lamsdorff (née Maria Ivanovna Beck, 1835-1866) (pp.65)

311.

Malvina (Portrait de L. Fay dans ce rôle) Portrait de L. Fay dans ce rôle (pp.65)

312.

Decadence of the Romans (pp.65)

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Ulysses Recognized by Eurycleia (pp.65)

314.

Temptation (pp.65)

3: The Social Novel in England and Russia

315.

Still Life with Apple Blossoms in a Nautilus Shell (pp.104)

316.

Lady Lilith (pp.105)

317.

The Lady of Shalott (pp.105)

318.

Hylas & the Nymphs (pp.105)

319.

Pandora: Mlle. Nilson (pp.106)

4: Impressionism

320.

On the Thames, A Heron (pp.157,158)

321.

Lise in a White Shawl (pp.158)

322.

Berthe Morisot (pp.159)

323.

Lady in a Garden (pp.159)

324.

Summertime (pp.163)

325.

Boating (pp.164)

326.

Columbus Avenue, Boston: Rainy day (pp.164)

327.

Seated Man (pp.164)

328.

The Suicide (pp.165)

329.

Water Lilies (pp.166)

330.

Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848-1904) and Her Children, Georgette-Berthe (1872-1945) and Paul-Émile-Charles (1875-1895) (pp.166)

331.

The Boulevard Montmartre on a Winter Morning (pp.166)

332.

Summer Scene (pp.166)

333.

At the Ball (pp.166)

334.

The Dance Class (pp.166)

335.

Le Moulin Rouge: La Goulue (pp.166)

336.

Lady in a Garden (pp.166)

337.

Le Café Concert– aux Ambassadeurs (Café-Concert; Le Café Concert des Ambassadeurs) (pp.172)

338.

Olympia (pp.176)

Chapter 2: The Film Age

339.

Violin – Le Violoncelle (pp.218)

340.

I and the Village (pp.218)

341.

Girl with Mirror (pp.218)

342.

Myself, Self-Portrait with Landscape (pp.218)

343.

The Persistence of Memory (pp.218)

344.

The Rope Dancer Accompanies Herself with Her Shadows (pp.219)

345.

Indefinite divisibility (pp.219)

346.

Jar, Bottle and Glass (pp.221)

347.

Victory Over the Sun /costume design (pp.221)

348.

Street, Berlin (pp.221)

349.

Symbolic Landscape (pp.221)

350.

Les valeurs personnelles (Personal Values) (pp.221)

351.

Modern Times /actor, director and screenwriter: det.: Chaplin in gears (pp.234)

352.

The Pont Neuf in Paris – Le Pont Neuf à Paris (pp.239)

353.

Lesbian Couple at Le Monocle (pp.239)

354.

Scandal (pp.237)

355.

Parizhanka
(A Woman of Paris) (pp.237)

356.

The Flatiron (pp.243)

357.

Portrait of R. (pp.243)